The classic audio company NAD recently unveiled its new CS1 network streaming devices, which are intended for consumers with older audio systems who want to upgrade their hi-fi system to include streaming capabilities.
Two new, reasonably priced network players have just been unveiled for folks who wish to switch to digital music. Cambridge Audio is a well-known British hi-fi business that has been producing cutting-edge audio for more than 50 years and has garnered several accolades.
Both the AXN10 and MXN10 are brand-new network players that provide premium streaming features at competitive prices. They will increase the affordability of using the company’s StreamMagic technology.
The two devoted players can play everything, including music from TIDAL, Spotify, and Qobuz as well as Internet radio stations. The sophisticated StreamMagic software from Cambridge Audio can be used to control both devices, allowing customers to manage their songs from a tablet or smartphone.
The AXN10 is the full-sized version of the two network players. This player is intended to complement Cambridge Audio’s entry-level AX Series of hi-fi separating, and it introducing matching network player for the first time.
The midi MXN10, on the other hand, offers the same capabilities and performance as the AXN10 but is contained in a smaller form size. The MXN10 can be usually stored neatly on a bookshelf due to its reduced footprint, and it provides an easy and compact solution to add streaming to any sound system, including a vintage audio setup.
According to the company’s press statement, both new players have excellent audio performance for the price. They are the product of Cambridge Audio’s substantial and continuous involvement in streaming technology research and development. Over the years, the company has created several award-winning products, including the superb flagship CXN V2 network player and the stunning Evo all-in-one systems.
On Windows, iOS, and Android, Audials Radio now allows recording for free alongside being an international and ad-free radio station player.
There are many free radio station services available today, whether they are found on the Internet, in the App Store, or on Google Play. However, because they are free, the majority of them contain annoying advertisements. This recommends one that is not only completely ad-free but also offers a free radio tool called “Audials Radio” with a “recording” function that can be used without registering.
Many platforms are supported by Audials Radio; in this case, one can use the iOS version as an illustration. The suggested channels and the channels you’ve added to favorites are displayed on the app’s home page after it’s opened. At the bottom is a menu bar that includes Home, Radio, Podcast, and Music. At the bottom under Radio is a list of countries, and under Genres is a list of music categories.
Click the desired radio station to begin listening after discovering it.
The bottom of the page has various functions for the playback interface.
The second feature is the popular recording feature. It has the ability to record live broadcast content. You can use this option to record a program you want to listen to but can’t focus on while you’re listening so you can play it again later. It’s unfortunate that this recording lacks a scheduling feature.
It even includes an alarm clock feature, which is excellent. Your preferred radio station plays when you wake up every morning, and you can adjust the volume. Don’t forget to activate the Alarm lock screen.
Additionally, it has a timer that stops the music automatically so that you don’t have to get up to turn it off manually. This feature allows you to use it while you’re sleeping and listen to music.
Both the standby and the measured background playback work just perfectly.
People can use it to listen to podcasts in addition to radio stations because it has such function.
You can find the radio shows and songs you recorded using the recording feature in Music.
This is very much helpful for enthusiasts such as radio airchecking, mixtape recording dating back to the 80s, and record interviews of their favorite artists.
The amount of channels gathered by Audials Radio might not be as large as comparable Taiwanese free radio apps, though. It is advised to give it a try if you enjoy this one. It’s fine to use and extremely great sans advertisements. Recording is quite useful.
In the upcoming years, the market for online audio consumption and internet radio is projected to grow quickly due to the explosive adoption of 4G/5G networks and the declining cost of streaming.
The market for internet radio is predicted to increase as a result of rising demand for better streaming done more effectively and massive data storage capacity globally.
The need for such services is also anticipated to rise due to the increased acceptance of audio streaming across a number of industries, including media and entertainment, retail, travel, airlines, hotels and restaurants, and insurance.
A new research study on Internet Radios (online consumer audio services) sheds light on the key market players who are flourishing; it keeps tabs on their company plans, financial situation, and new products.
Several of the leading businesses in this market include: AOL Radio, DI.FM, Spotify Ltd., Google Inc., Amazon.com, Inc., Deezer, SomaFM.com, LLC, TuneIn, Pandora Media, Inc., 8tracks, AccuRadio, LLC, Napster, Slacker, Inc., Apple Inc., iHeartMedia, Inc.
Regions where companies will see increased growth are North America, South America, Asia and Pacific region, Middle East, Africa and Europe.
The top segments in online audio consumption are the following: Streaming, E-Radio and Online Radio.
The top categories in the market are the following: News, Sports, Music and Games.
Forecasts indicate that the industry will demonstrate high growth due to increased demand in many markets. The market research study on Internet radios contains all relevant information. By providing its clients with accurate data, it provides the market outlook and aids in the making of crucial decisions. The market is described in general terms, along with its description, applications, advancements, and technology. This market research study on Internet radios keeps tabs on all new advancements and inventions. It provides information on the hurdles faced when starting a business and offers advice on how to deal with impending difficulties. And this report can be accessed via a2zmarketresearch.com.
Audio-Technica BPHS1 Broadcast Stereo Headset with Dynamic Cardioid Boom Mic Black, Adjustable
As A Broadcast Headset
These have excellent construction quality. I currently have a dozen of these, and I heartily endorse them to anyone searching for a broadcast-quality headset.
They don’t irritate your ears the way some of the smaller ear cup designs do, making them quite comfortable to use for prolonged periods of time. Compared to some of the Sonys I’ve worked with, the mic response is excellent.
These have a wonderful cable system that can be detached for frequent travel. The pin connector may be simply unscrewed, and the cable can be neatly wrapped to prevent a tangled mess. Additionally, A-T provides a backup wind screen and locking screw in case the originals are lost or break.
The cabling is efficiently insulated and effectively blocks RF interference.
In addition to using wireless microphones from the firm that produces the video for our collegiate sports teams, I have used it on our sports programming. The other audio equipment we are utilizing is not interfering in any way.
If you’re having RF interference with your headphones, your equipment may not be properly grounded, which can lead to RF interference .
As A General Use Headset
I’ve been doing video calls for hours at a time while working from home for more than a year, like many others. Everything I tried to set up didn’t quite work. Now I have the perfect configuration:
1. The BPHS1 Broadcast Series Broadcast Stereo Headset from Audio-Technica costs £180.
2. a sound card (mine is a Focusrite Scarlett Solo 3rd Gen USB, which I bought on Amazon for £96).
3.I purchased replacement ear pads from Brainwavz (angled, oval ear pads in PU leather, about £20).
The price of these is comparable to that of the Sony WH-1000XM4 noise-canceling wireless headphones, it should be noted. Despite favorable ratings, I had already given those a try and returned them after discovering they were useless for video chats.
I made a couple mistakes when looking for the proper kit. I’ll explain why I believe this is such a wonderful set-up below:
1. For video calls, the audio quality. My main tools are Teams and Zoom. I experimented with bluetooth headphones and a variety of corded in-ear buds in addition to my laptop’s built-in microphone and speakers. Everyone listening can hear a lot of background noise while using the built-in kit (like the fan on my laptop). I developed an ear infection from using in-ear buds for too long, and my top-of-the-line bluetooth Sony XM4s would frequently cut out just as I was answering a call. My coworkers likewise reported that they could barely hear me. In contrast, this setup produces very high-quality sound. I sound clean and rich, and I can clearly hear other individuals.
2. Comfort. I frequently spend 4 to 5 hours on calls at a time, therefore I need equipment that is pleasant to use all day, especially with glasses. However, you can only use these if you buy new ear cushions. Even when taking breaks, the ones that are provided become unpleasant after an hour or two and painful after a full day. Great ear pads are provided by Brainwavz. Geekria was the first brand I tested, but the Brainwavz both were more comfy and had much clearer music. They took several weeks to arrive from Hong Kong after I placed a direct order because they weren’t on Amazon at the time. However, it appears that they are listed here once more.
3. Music quality. I prefer to play music while working in between calls. Surprisingly, the audio quality of these is superior to that of the XM4s.
4. Decent length cable. You are physically bound to the audio interface, but the connection must be at least three meters long, in my opinion. I have tried different wired sets, but this kit allows me to stand up and walk around while on calls. Contrary to what one reviewer claimed, I don’t think it’s heavy or drags down on one side.
The audio interface is connected to my laptop with a USB-C connection by the headphones. Then it just works when you download some software (the kit includes clear instructions).
The RØDE Broadcaster is a large diaphragm, end-address condenser microphone intended to deliver the optimum performance for broadcast voice applications.
It has become a standard in radio stations all over the world thanks to its rich, full-quality personalized response with an emphasized proximity impact. It works well as a voice-over microphone for radio, movies and television.
The integrated pop filter of the Broadcaster is intended to reduce the amount of plosives sounds that could overstimulate the microphone capsule and cause distortion in the audio output. A tunable high-pass filter of 75Hz is provided in addition to the Broadcaster’s original 20Hz–20kHz responsiveness, which will stop low-end noise like air conditioning units and traffic from being captured.
The revolutionary “On-Air” indicator seen on the body of the Broadcaster may be wired for external activation via the “Channel On/Mute” functionality on several consoles. When the microphone has electricity even when it isn’t attached to a console or switch, the indicator will always be lighted.
Australia-based RØDE produced the Broadcaster with a 10 year warranty that is the best in the business.
The depth of the Broadcaster’s bass was instantly apparent when we started recording. In order to get the finest sound possible, we also made sure that we didn’t have to get too close to the microphone.
Our voices sounded natural while being recorded by the microphone and weren’t compressed or overtuned. This microphone easily ranks among the best-sounding ones we have ever used. It has comparable audio quality to RODE’s Procaster but no compression.
A smooth and natural-sounding sound with great, sharp high-end clarity was produced by the microphone’s audio clarity. It was the best option for podcasting because it allowed us to live broadcast while requiring less EQing.
Since several of us who tried the mic had naturally deep voices, we set the low-cut setting at 75 hz. It performed admirably in contexts where ambient frequency was lower, such as streaming and broadcasting.
While writing this evaluation, we also noticed that, in contrast to most condenser mics, the Broadcaster had a more bassy quality. Other mics would require significant adjustment to perform similarly to the Broadcaster’s range.
The Broadcaster picked up a lot of these, unlike the Procaster mic which mostly blocked them. The Broadcaster performed better right out of the box than other condenser mics.
The Broadcaster has little noise after a few adjustments. It produced recordings with substantially better quality, which is great for many voice applications.
For applications where the Broadcaster may pick up vibrations from the associated stand/boom arm, we additionally advise using a shock mount.
In case you forgot, vibration + noise = This enables you to use a shock mount for the Broadcaster that is universally compatible.
Overall, the Broadcaster performed superbly, making it simple to suggest it for podcasting, voice-overs, and other uses. As RODE said, the audio quality is of broadcast-grade.
Sing My Number turns any phone number into a catchy, memorable song that kids can call on for help
Reel2Media, part of ReelWorld – global leader in radio station identification jingles and production services, has released a new Amazon Alexa Skill ‘Sing My Number’.
Reel2Media, which specializes in digital, on demand audio content, and sonic branding, explains that this new Alexa Skill enables people to create songs with billions of possible different versions.
The new skill creates a personalized song to help families remember important phone numbers, and can serve up one of over a billion different permutations within seconds.
The idea works just like the magic of jingles. The recall power is just simply unmatched.
Designed for parents with children either too young to own a phone, or who find themselves in an emergency situation without one, Sing My Number turns any phone number into a catchy, memorable song that kids can call on for help.
Talking about the inspiration behind the skill, Reel2Media co-founder Anthony Gay said: “It’s a parent’s worst nightmare when a child goes missing, however briefly, and it’s a nightmare that’s only made worse when they don’t have a phone. Today anyone can access hundreds of phone numbers with just a few taps of a screen but can you remember any of them? It’s all too easy to forget the importance of teaching essential numbers to our children should they need them in an emergency.”
Sing My Number is the second family focused skill from Reel2Media, following the successful launch of Yak Talk Back! in April 2020. Sing My Number is both a standalone skill and an extension to Yak Talk Back! as the Yak character hosts the experience.
Fellow co-founder Mike Thomas added: “As a parent, it’s reassuring to know my kids have a way to contact me in an emergency. Drawing on our decades of experience creating jingles for the world’s biggest radio stations, and combining those skills with technology, we’ve been able to create a unique skill that is both fun and has purpose.”
Currently available in both North America and the UK, Sing my Number can be accessed and enabled from the Alexa Skills Store now. Or simply say “Alexa, enable Sing My Number’ to get started.
Following its successful launch as an Amazon Alexa Skill – Yak Talk Back! – the interactive audio experience designed to help parents learn about their children’s day, is now also available as a podcast.
The podcast version will help families without smart speaker access to experience the benefits of Yak for themselves and help take the concept to a wider audience as well as making it more mobile.
Produced in consultation with learning experts, Yak Talk Back! is a fun, interactive question experience that combines character voices with original music. Together they create a stimulating and enjoyable environment where children can express their feelings and thoughts whilst having fun as a family.
Led by the friendly and lovable character Yak, each episode comprises a short story from Yak followed by three questions – purposefully selected to help kids (and their parents) talk about their day and express their feelings, while developing their social, conversational and critical thinking skills.
Talking about the decision to make Yak available as a podcast, Reel2Media Content Development Director Chris Kelly said: “Since launching Yak earlier this year the user feedback has been really positive. But while the number of households with access to a smart speaker is continually rising, we regularly receive comments from parents who tell us they would love to play Yak with their kids but don’t yet have a smart speaker. By adding the Yakcast we are able to now make Yak accessible to all, helping more parents better communicate with their kids while spending fun quality time together. We really believe we’ve hit on something special with Yak and want other families to experience it for themselves.”
New podcast episodes are added daily so families can expect a fresh Yak experience and different questions every day.
You can listen and download Yak Talk Back! wherever you get your podcasts. Amazon Alexa users can just say “Alex, open Yak Talk Back!” to get the action started.
As the smart speaker revolution continues, Yak Talk Back! is a brand-new Amazon Alexa skill designed to offer young families a new solution to an old problem – how to get children to talk about their day.
And now, in a time of school-closures and self-isolation, with anxiety at an all-time high and effective communication with our kids more important than ever, Yak’s creators are hoping the skill will also go some way towards helping families maintain their emotional well-being during these turbulent times.
The first smart speaker skill from Reel2Media – a new company that promises to deliver the next level of innovative audio experiences, Yak Talk Back! has been created in consultation with learning experts and takes the format of an interactive question experience that combines character voices, original music and sound design. Together they create a stimulating and fun environment in which kids can express and articulate their thoughts and feelings while having fun as a family.
Led by the friendly and lovable character Yak, each session comprises a short story from Yak followed by three questions – purposefully selected to help kids (and their parents) talk about their day and express their feelings, while developing their social, conversational and critical thinking skills.
Inspired by his frustrations as a parent, Reel2Media Co-Founder Mike Thomas said: “Like many parents, I struggled to get my kids to open up and talk to me about their day and technology was often part of the problem. Studies show that children under 14 now spend twice as long on smartphones as they do talking to their parents! As a father I needed a solution. I realised we could take the technology we’d been working with – the very thing which often acts as conversational barrier – and turn it on its head. Yak uses technology ‘for good,’ to help families like my own engage more with one another and that’s a result.”
Yak is updated daily so families can expect a fresh Yak experience and new questions every day.
Mike added: “The feedback we’ve received so far has been amazing. In regard to my own kids, Yak Talk Back! has been truly transformational. Not only are they now excited to play and share their day but crucially we continue the conversations outside of our Yak sessions. We really believe we’ve hit on something special with Yak and want other families to experience it for themselves.”
Talking about how Yak might serve as a valuable tool to families during the current period of Coronavirus anxiety, fellow Co-Founder Anthony Gay said: “The world as we know it has been turned upside down in recent weeks following the outbreak of COVID-19. The majority of families are now self-isolating and such actions are bound to have a detrimental impact on our mental health. The experts tell us structure, routine and communication are key to maintaining our emotional well- being. By providing a platform specifically designed to help parents communicate with their kids we hope we can play a small part in helping families through these testing times and make Yak something they look forward to playing daily.”
Speaking about Reel2Media’s commercial ambitions, Anthony added: “After the podcast revolution it’s now time for smart speakers to take a share of the audio spotlight. The technology is really only just coming into its own and the opportunities it presents are vast. We aim to raise the bar with the quality and relevance of our audio experiences and Yak Talk Back! is our first step on that journey.”
Currently available in both North America and the UK, Yak Talk Back! can be accessed and enabled from the Amazon Alexa Skills Store now. Or simply say “Alexa, enable Yak Talk Back” to start the experience.
Sonos Radio: the free service with around 60,000 radio stations will arrive in Italy. Sonos has just announced Sonos Radio , a service that will allow all consumers who have chosen a device (such as Beam Soundbar ) branded by the well-known company to listen to over 60,000 radio stations from around the world. Users will be able to use the service for free: the project is financed with advertisements.
In particular, we will be able to find different channels created and managed by some artists. Early announcements include Thom Yorke (Radiohead frontman), Brittany Howard (Alabama Shakes), David Byrne and Third Man Records. The number of musicians participating in the initiative will increase significantly.
In addition to these stations, there will also be insights dedicated to music : from the classics to the latest hits. Sonos Radio’s partners include some of the most important radio companies, such as TuneIn (which has been collaborating with the company for some time ), Global (the largest European radio company) and Radio.com .
Sonos Stations is composed of over 30 stations where different songs divided by genres will be collected. The new sound brand by Philip Glass , the American composer believed to be one of the first artists to approach musical minimalism, will also debut .
To access Radio, simply update the official application and access the “Browse” menu. The service will also arrive in Italy , but the launch date has not been announced .
The leading supplier of radio programming and imaging services Radio Express has announced the extension of the trial period of the Q Go Live App – a mobile app that allows radio personalities to broadcast quality audio from iPhone, iPad, Android, PC or Mac. Here’s the message from the Radio Express President of Sales Jessica D’Agostin.
Here at Radio Express we’re acutely aware of the huge disruption that Corona Virus is causing the broadcasting industry and we’re committed to doing our bit to help.
We understand that in this rapidly changing environment we all need to pull together.
That’s why we’re extending our free trial of Q Go Live, our fully-quipped app that allows your your hosts and news reporters to get on-air in broadcast-quality from ANY location.
So if your air-talent needs to work from home – or another location – you can immediately utilise the power of Q Go Live in any situation.
With super-quick set-up it really is push-button simple for your on-air presenters or news reporters to go live-on-air with Q Go Live.
ReelWorld, the global leader in radio jingles and branding, has launched a new audio content company.
Reel2Media will focus on smart speaker experiences and innovative Alexa Skills as well as podcasts and sonic branding. Building on its world-class audio branding heritage, Reel2Media will create unique and memorable audio that will enable brands to engage and interact with their audience using the power of sound.
Chairman and Co-Founder Mike Thomas said: “The audio revolution is here and how brands engage with audiences using sound is a space in which we feel we can make a significant impact. With over 25 years’ of experience in audio branding and music composition we are uniquely positioned to add real value, creating content that will both delight audiences and wow brands.”
Reel2Media’s first Alexa Skill will be released soon and promises a new benchmark in quality and interactivity.
CEO and fellow Co-Founder Anthony Gay said: “Interactivity and on demand are driving the future of audio consumption, and the podcast explosion is just the beginning of this audio revolution. Smart speaker technology is now beginning to gain real traction and it’s only going to get bigger. We see a huge opportunity for brands to reach their audience using sound and we aim to raise the bar with the quality and relevance of our audio experiences, to deliver content that adds value, content that creates connections and content audiences want to listen to. With Reel2Media we feel we’re at the beginning of something special.”
The Seattle based company with European Headquarters at MediaCityUK, already has a strong presence in both the US and the UK through ReelWorld and will initially be targeting those territories with its new offering.
ReelWorld is responsible for the sonic identities of thousands of radio stations across every continent including some of the world’s most iconic broadcasters – Z100 New York, BBC Radio 1, KIIS LA, Heart UK, NRK P1 in Norway, Radio 2 Belgium and most recently the team re-imagined the sound of BBC Local Radio across the UK. Their work is heard by tens of millions of radio listeners every day.
Reel2Media is a new audio content company from the team behind ReelWorld – a global leader in audio branding with over 25 years’ experience working with the world’s biggest radio stations on their imaging and jingles. ReelWorld provides station sound for thousands of radio stations around the world including Z100 New York, BBC Radio 1, KIIS LA, and Heart UK.
Reel2Media was formed in 2019 with the purpose of helping brands engage audiences using the power of sound.
Combining rich storytelling, music, and high production values with the latest audio and smart speaker technology, Reel2Media creates innovative and interactive audio experiences, podcasts and sonic branding, delivering content that adds value. Content people want to listen to. Content that connects brands with their audiences.
“When I stood in front of investors for the first time with a business proposal called personal radio broadcasting, they said that I’m going backwards in time. But now Spoon Radio has grown into a service with 2.2 million active users every month from all over the world. ” Choi Hyeok-jae, CEO of Spoon Radio.
Recently 41 Spoon Radio representatives met at the headquarters pointing to a performance graph of the vertical rise of Spoon Radio. The app which is described as called the ‘YouTube for Audio,’ broke 15 million cumulative downloads last year.
It is 58 times that of 2016 (260,000 times). Spoon Radio currently has 250,000 individual DJs (spinners) who offer radio broadcasts on the topic of daily conversations and counseling. Over 100,000 audio content is uploaded every day. Choi said, “With the exception of podcasts conducted by experts, the world’s largest audio service comes from private DJs.”
What is the secret of popularity? CEO Choi said, “The strategy is targeting teenagers in their 20s who have never even encountered how radio works.” More than 70% of Spoon Radio users are ‘millennials’ aged 18-24. There is a perception that radio is for the older generation.
Choi, a graduate of the information and communication department at Sunmoon University, started his business in 2013 as a developer in the smartphone business of LG Electronics. At the time, smartphones were all beginning to pick up, but they launched a service that delivers a fully charged battery in real time to those in need. However, the business closed in 2015 as most smartphone batteries were built-in. Choi said, “It wasn’t enough to come out with a stable large company, so I had a debt of about 500 million won.
But the crisis was a decisive factor in launching Spoon Radio. Choi said, “It was hard enough to want to die after failing in the first business, but it was hard for me to show my family or acquaintances.”
“What about the business of comforting strangers online?”
Choi immediately presented social media service dedicated to audio with the slogan ‘a spoonful of warm comfort’.
“I and my company employees just envisioned” anonymous audio chat, “and some of the members showed regular radio broadcasts,” he said. “Watching their demand for radio content explode, we grow our business with today’s personal radio broadcasts. “
Spoonradio’s payment system is simple. Listeners can purchase paid ‘sponsored stickers’ and sponsor them to their favorite DJs. There is also a broadcast function sticker that allows you to like 10 times with a single click. Spoonradio takes a 10-15% commission on the stickers that DJs receive. Spoonradio’s data show that last year, 48.4 billion won worth of paid items (broadcast function, sponsorship stickers) were sold. That’s more than double that of the previous year. Some popular DJs earn more than 100 million won a month with sponsored stickers and hold huge fan meetings. YouTubers with millions of subscribers are popular.
“It is true that the radio market is smaller than the video market,” Choi said. Spoon Radio entered Japan, the Middle East, and the United States, starting with Indonesia and Vietnam in 2017. In the Japanese market, it ranks first among all audio live apps .
In recognition of such competitiveness, Spoon Radio attracted 45 billion won in investment from KB Investment in December last year, and was recognized for the company value of about 300 billion won. Choi said, “This year, like China’s” Tik-Tok, “I want to create a sensation among American teenagers.”
The audio quality offered by Dab + car radios far exceeds that of frequency modulation, for cleaning the sound and the absence of interference, characteristics that make it ideal for listening in the car (digital transmission has no middle ground: it returns crystal clear audio or you don’t listen to anything, as for TV, where the old “lines” disappeared). But this does not mean that this transmission system can quickly replace the FM: the “techno-enthusiasts” are already counting down to embrace a technology that is not so new: it dates back to the Eighties, the first one was activated in 1995 in Norway and the Dab + in 2007, a technological evolution that exploiting more efficient compression algorithm increases the number of programs broadcast in high quality on a single channel from 8 to 12. We must deal with the spread of receivers, which is still limited, the fact that in mountainous areas the signal “bounces less”, therefore a greater number of repeaters is needed; for Italy there is also the lack of frequencies , and if the transition is imposed quickly it is not said that everything runs smoothly.
In Norway, for example, listening to the radio and advertising revenue paid the price; still there are local broadcasters that broadcast in FM (and not a few on their site claim to be proud of it) while others have accepted the challenge with national networks by opening one or more digital channels to also guard the new band. Yet the Scandinavian country had been a pioneer in the DAB (turning on the first transmitter almost 25 years ago), so much so that it had programmed the “switch-off” (so called because it implies turning off the transmitters) by the end of 2017. Digital made savings (especially on state radio, with many channels) because a single transmitter could now carry 12 high quality signals.
The next is Switzerland, which will complete the transition at the end of 2024 (state radio seems to want to anticipate it in mid-2022). But the transition could be less traumatic: compared to Norway the surface of the country is about a tenth, so it will be less expensive to send a good signal to all areas (one of the complaints of Scandinavian listeners); in addition, the broadcasters were financially supported (by diverting resources from the radio and television license fee) to allow publishers to activate a digital channel by 2019. And then in Switzerland the first digital transmissions began in 1999 and 92% of new cars have the standard Dab + tuner. And if the Confederation (as it promised) will carry out advertising campaigns to invite citizens to “equip themselves” for the change of standards, the initiative could be successful. The Swiss are accurate, aren’t they?
Siri and Spotify could soon make friends. Apple and Spotify are discussing about the possibility of using the Cupertino voice assistant to play songs, playlists and albums from the iPhone.
Thanks to the changes made by Apple to SiriKit with iOS 13, Apple’s voice assistant is able to reproduce third-party content such as songs, audiobooks, playlists and albums; according to the information revealed by The Information, this integration is at the negotiating table between the two companies.
The default music player would remain the proprietary one of Apple, however for the user it will be possible to perform for example the command ‘ Hey Siri, play a song by Metallica with Spotify ‘ and use the Spotify service to play your favorite music. A discussion that goes some way to try to dilute even the tones after the recent accusations of Spotify aimed at Apple for unfair competition towards competing services.
At the moment there is no more precise information about the state of the works, however, given the recent diatribes between the two companies, it is easy for Apple to show greater condescension precisely in order to calm the minds and restore serenity in a decidedly hot situation between the two companies.
Is there any effect on this for radio? Not so much, the HomePod in the coming days will be more embracing of traditional radio and it will be even easier in fact if anything will be a big boost for radio.
Radio listeners are changing their habits, now they are talking to their audio appliances to listen to a station, get their news and even request a song.
Almost a year ago a video received millions of views all over the world. And it’s amazing. A lady tries to talk to a Google Home Mini speaker . He calls him “Goo-Goo” and shows himself impatient. He asks the device for the weather forecast and to play for her an Italian song with poor results. The lady in question is Arzilla but elderly, we can deduce that she has Italian-American origins and is in some way “scared”, as she admits, laughing at the younger relatives who are recovering her.
The smart speaker as Google Home are spreading extremely rapidly. Already before last summer according to Voicebot.ai 20% of the US population had at least one. They will reach 225 million units in two years, reports Canalys. For a market that Deloitte valued at $ 7 billion for 2019 . Not only that: the global advertising expenditure for voice assistants, which does not exist today, will reach the 19 billion dollars by 2022 according to Juniper Research . In 2018 these devices definitively attacked the market. Dozens of models from Sony , Panasonic , Hama , Huawei and other brands have arrived on our shelves , to which Apple has recently been added with its HomePod . To dominate the sector, are the lines of Google Home (two models) and Amazon Echo (four models), with prices ranging from 60 to 150 euros approximately. The differences between these products are not many: they are speakers more or less large and more or less finished, which should assist us in our everyday life. The world’s largest technology companies invest on a device designed to be placed in some corner of the living room or kitchen, which more than a futuristic object – or even a normal smartphone – remembers the old radio of the 40s and 50s?
To answer this question we immediately clarify a point. Although our attention tends to fall on the functionality and design of the smart speakers, much more important is that they contain: artificial intelligences capable of interacting with people in the flesh. Those who inhabit Google Home and Echo are called Assistant and Alexa , have their own voice and are designed to recognize that of their “master” and execute the commands. Type: tell me how the weather is today, turn off the light, put the alarm on the hour X, give me information on the topic Y, play the song Z, and so on. The voice assistants , as they are called, do not listen to us only through the home speakers but also through mobile phones. Assistant, active on Google Home models and on all devices with Android operating system, is the demonstration together with Siri , the Apple-branded counterpart. And they are not the only ones: Microsoft has Cortana , Samsung can count on Bixby , Huawei is working to import from China its Xiaoyi . They are more and more numerous and more and more users are using them. It may seem absurd, but the so-called next big thing could just be the voice . The same that at the time of the radio revolutionized the communication but with a different function, because now the user, instead of receiving a message, gives a precise command. In other words, a conversation is established from which information on our account is derived.
If the penetration of smartphones into our everyday life is complete, that of the voice is still in its infancy, but it is rapidly advancing. The vocal assistants today can allow us to take our eyes off the screens, to emancipate ourselves from the touch screen , not to interrupt what we are doing, especially when we are on the move. The Apple AirPods go in this direction: they eliminate the material link with the mobile phone. But there is a place where the potential of the smartphone is only partially expressed: the home. The reasons are essentially three: 1) many of the functions of the smartphone, including the voice assistant. 2) From PC to stereo systems , at home there are better devices to meet particular needs. 3) The smartphone is always with us but a part of domestic life in some way regardless of the physical presence of an individual and this will be even more with the advent of the so-called smart home , in which new devices connected to each other they monitor the home in real time. These reasons are the same that today push giants hi-tech to invest on speakers that will stimulate interaction with voice assistants, will be the point of contact with smart devices and will follow moment by moment what happens in the home. Because in the age of the Internet and big data knowledge means business .
It is clear that Google is trying to make its search engine also vocal as well as written. And that Amazon points to allowing purchases through spoken commands. Why? Simply to make their service even faster and more pervasive. This radically changes a series of dynamics, such as search engine optimization (Seo, which serves to increase the probability that the search engine gives a certain result) and advertising. It is not difficult to imagine that one day Google can make someone say something more to those who offer more. The difference is that, due to the absence of other results that appear simultaneously and visual elements of “distraction”, the relevance of the vocal insertion is superior.
We are facing a paradox : with the voice assistants we more actively address our questions (and our commands), but receive a smaller number of answers. Precisely for this reason, the vocal web will have a greater influence on users than that of the textual web. Because he will learn to understand us better by listening to us. Every time we ask a question, and Assistant Alexa record something about us and cataloged for profilarci . Putting together all the data collected and joining those that we sow every day with our online activities, will always know better which information may be more relevant to interests, tastes and inclinations of a user.
Now if we take what is worth for a single user and multiply it by millions of people, it is clear that entertaining conversations will allow us to build exterminated databases to understand our language and how our mind works. What is needed to perfect a software giving it better semantic understanding and self-learning skills. Behind the well-made speakers, the friendly names of virtual assistants and the gags that arise from their gross errors, there is the great deal of artificial intelligence, whose development can not be separated from the voice. From the Italian grandmother who can not talk with Google Home we could get to the Joaquin Phoenix who falls in love with his assistant in the film Her . The road is still long, of course, and the various assistants still have much to learn. But let’s not forget that history repeats itself: as happened 20 years ago with search engines, 10 years ago with social media and today with cloud computing , big companies are building an infrastructure . Users will mainly fill it with their conversations. So it will be time to monetize with advertising, percentages withheld on purchases and other options that maybe we struggle to imagine today.
More and more listeners not just in the US are now tuning in to their favorite radio stations via smart speakers.
Amazon’s smart speakers are popular among consumers since they allow third party broadcast content providers unlike Apple’s walled garden.
With the introduction of the new product Amazon Echo Input, more and more consumers will now be jumping into the smart speaker craze.
For some months now, Amazon’s range of intelligent speakers has become substantial: the Jeff Bezos group has created Echo devices of all types and for all budgets, but for someone spending 60 dollars or more for a smart mini-speaker from putting in the living room may still be too much – especially if the existing home audio system is not yet to be retired. Here, then, that the company presented in these days an even cheaper alternative dedicated to this category of people: it is Amazon Echo Input , an extremely compact and economical accessory designed to give the Alexa digital assistant functionality to the devices non-smart audio .
The device looks like a disk 8 cm in diameter and just over a centimeter in height, and connects to an existing audio system via a bluetooth connection or a normal 3.5 mm audio cable . On board it also houses a series of four microphones to listen to the commands, the Wi-Fi antennas needed to connect to the Net to make Alexa work and the services it is connected to, a USB port for power and the usual commands to shut down the microphones that are also found on the other Echo gadgets.
In short, Echo Input incorporates everything you need to talk with Amazon’s voice assistant and make sure that the answers and the required music are distributed in a house already equipped with an audio system – all without spending more than the price of the device, that is 35 dollars . The gadget has only two problems: the first is that it should be positioned at a certain distance from the speakers, to make sure that it can always hear its interlocutors loud and clear; the second is that its availability on the Italian markethas not yet been announced. Echo Input is currently available on the US, Indian and English markets, and will soon arrive in Germany.
This product introduced in CES 2019 became a topic of discussion in local tech in Vietnam, in a country where radio is still hailed the king of media.
Polaroid is quite similar to Kodak, all create products with modern features, but with design elements of the 80s and 90s. Polaroid PBT533 is such a product. This is a wireless speaker, but can be used as a radio (FM) with a very classic exterior.
Speakers have 4 color options: blue, green, black and pink. Perhaps the most ‘nostalgic’ color version is moss green.
Polaroid PBT533 has a simple design, with 2 front swivels and a handle so users can take it anywhere.
The small speaker, along with the weight of only about 680 grams, has a very high mobility.
2 revolutions used to adjust the radio and volume frequencies, are all accentuated like the old-fashioned twist buttons.
On the back, we have extra vents for the woofer (subwoofer), on and off buttons and connectivity ports including micro USB and 3.5mm charging ports for listening to wired music. According to the company, speakers can play music wirelessly for 6 hours, but of course, when the battery runs out, users can use it in the form of plugging.
In this day and age of internet radio, podcasts, YouTube and spotify, products like this are a still a commodity in countries in Asia, where radio is the top choice of media consumption by listeners. Polaroid PBT533 is priced quite cheap, only 33 USD
Sharp brings the debut of new digital and internet radio featuring modern design and first-class sound.
Sharp , after returning to the European audio market with a series of new innovative products at Berlin’s IFA 2018, announced new digital and internet radio.
The Sharp DR-450 and DR-S460 digital radios offer a first-class sound to enjoy in the warmth of your home. Characterized by an elegant style with a wooden body, they are equipped with an aluminum front, a telescopic antenna and a dimmable display. Both models are equipped with DAB / DAB + / FM and RDS reception, also offering wireless streaming via Bluetooth to play your favorite playlists directly from your smartphone or tablet. Up to 60 stations can be preselected individually via a complete range of radio channels.
In addition to the mono DR-450 model, the DR-S460 boasts exceptional stereo sound with a power of 30 watts. Through the 3.5 mm AUX input it is possible to connect any kind of playback device.
The DR-450 digital radio and the DR-S460 stereo model are already available in white, gray and wood at a recommended retail price of 119 euros and 139 euros, respectively .
The DR-I470 internet radio is also equipped with DAB / DAB + / FM and Bluetooth reception. Once connected via Wi-Fi, the stereo model DR-I470 receives up to 10,000 internet radio stations. Connected to a smartphone or tablet via Bluetooth, it can play music from streaming services such as Spotify with direct access to over 35 million tracks. With an almost infinite range of radio stations, music tracks, audiobooks and podcasts, this winter there will be no room for boredom. The 2.4-inch color display shows the time, alarm and weather. The 3.5mm headphone connection opens the way to pure audio pleasure. And thanks to the supplied remote control you do not need to bother from the sofa.